Archive for the music Category

afraid of what you know

Posted in audio, conservatives, democrats, enviro-marxists, music, politics, Trump on April 5, 2019 by Word-Drum

The war has already started.

shooting television

Posted in audio, music, word-drum with tags on April 2, 2012 by Word-Drum

                    

Here is a new demo of my song “Boy To Ramadi.” The song and others will be part of a CD that needs a producer (Mr. Phil Spector: Maybe we can work through the Internet).

https://skydrive.live.com/embed?cid=9A7E925FCECBA479&resid=9A7E925FCECBA479%211982&authkey=AC-8212uhZLW3bE

(click to listen at SkyDrive)

You’re probably thinking “Who the …. is Word-Drum and why would I want to listen to his music?”

That’s not my real name, it’s Elvis and I’m alive!

 

Put that out and listen to this.

Blogging replaced creating music for the last several years. I’ll take a break from the blog while I’m making new music and demo tapes. You can hear them, just click

                                        here

(Thaunk You Very Much)

“New Songs 2012” contains original blues, rock and jazz.
“One Man Band: Jam Session” is Straight-Ahead and more adventurous jazz.

hands off gibson guitars

Posted in democrats, economy, music, news and politics with tags on September 2, 2011 by Word-Drum


I’d sleep under my car before parting with my Gibson SG. What’s up Obama, Holder, and the Gang!?

Pajamas Media:

Why did the Department of Justice raid Gibson Guitars twice in the span of two years, yet leave competitor C.F. Martin untouched? Both appear to use the same allegedly illegal woods. The allegation floating around is that it’s because Gibson’s CEO supports Republicans and Martin’s supports Democrats, and we have a Democratic administration hell-bent on punishing Republicans. Instinctively, I want to reject that theory. It’s too simple and too, I don’t know, obvious and even un-American. Gibson’s CEO may face jail time, and the company may end up failing under the weight of the federal boot. And over what?

Continue>

If we all wanted to live in Chicago, we’d move there. This is Gangsta Government. All guitarists must rise up in one tremendous power chord against this injustice.

liberal occupation

Posted in liberals, music, word-drum on June 3, 2011 by Word-Drum

Even though this blog gets some hits, I don’t think I’ve converted anybody or made any friends (enemies yes, but I have enough of them). It’s hard out there for a Bohemian-conservative. Just like the more conventional blogs I posted for during the election, Word-Drum hasn’t slowed the onslaught from the left.

 

I sometimes feel like I’m living under occupation. And will soon be living like in the movie “The Pianist.”

The only steady gig I can get in this town is with this poser who takes all the tip money I make for him. It could be reparations, since he’s a commie/huckster Obama man. He has the power and thinks he can get away with it since the other liberals who hired him think he’s an authentic jazz musician — because he’s Black. Unfortunately that’s not all it takes. Just like O, he’s a fake. He can’t play or lead a band.

Then my liberal mother told me to move back to Europe if I don’t like Obombie.

                           If it weren’t for Bad Luck…

If it’s like that, my own blues band is the answer. I have written some new tunes (instead of blogging into the ether) and hopes are high for getting free from of my current work situation.

As for politics, can you say President Palin!?
(There I go again making enemies.)

audio: boy to hero

Posted in military, music, war with tags , on May 29, 2011 by Word-Drum


This new song called “Boy To Ramadi” will be my post for Memorial Day. It’s about a hero from our ongoing fight with the boys from Islam.

Along with this generation’s warriors, always on my mind at this time, and throughout the year, is our Vietnam Vets and their fellow troops who did not come home. And the thousands who took their own life after returning to Liberal America where the cruelest people think themselves to be saints, and true selfless service was disregarded.

Click on the code below for a recording of the song.

https://skydrive.live.com/embed?cid=9A7E925FCECBA479&resid=9A7E925FCECBA479%211982&authkey=AC-8212uhZLW3bE

Boy To Ramadi>

Bike ride to the park
falling down, you skin your knee
Still afraid of the dark

Mom said: It will be alright. Mom said: It will be alright.

Played hard and lost
Growing up, you start to see
you'll catch the next one tossed

Dad said: It will be alright. Coach said: It will be alright.

Try so hard, you want to show them.
Fast become the man you wanna be.

Bootcamp was a hoot
Worked like a dog and slept like a log
Not hitting all you shoot

Sarge said: It will be alright. Sarge said: It will be alright.

One day you fly
across the world with brothers and friends
Some of them will die

Sarge said: It will be alright. Sarge said: It will be alright.

Carrying a heavy load, the
sun beats down, no way to cool
Worse is under the road

Sarge said: It will be alright. Sarge said: It will be alright.

The road explodes and drives you backwards
The sky is black, a hand is all you see.

Sarge said: It will be alright. Sarge said: It will be alright.

The black starts to bright
Heaven comes after the pain
Walking into the light

God said: It will be alright. God said: It will be alright.

Looking down on your boy
He rides his bike and starts to cry
Dad's better than any toy

Mom said: It will be alright. Mom said: It will be alright.

Fight or die, or both, no option
Less would leave us all overrun.

Call you hero, you are remembered
Time stops tears. Cheers for the battles won…

and freedom under the sun.

audio: new song from the drum

Posted in audio, music, politics on May 23, 2011 by Word-Drum


He’s a lonely jihadi and longs for his day of murder and mayhem.

Here’s a demo of a new little blues tune (called for now): “KTJB” (Kill The Jews Blues). Made specially for Word-Drum readers who will appreciate the mild humor and hint of country blues feeling in the song.

I humbly offer it (after the remix) to the next Republican candidate for President. The subject is not one of Obama’s issues. It should be one of ours.

Kill The Jews Blues>

love, music, and the chomper

Posted in music, word-drum with tags on January 4, 2011 by Word-Drum

(Word-Drum Reminisces to Get the Blogging Juices Flowing Again)

She was only about four feet tall, but she had a perfectly proportioned body.

She’s the only girlfriend I’ve had who did not like to kiss. Wendy was a New York girl and everything about her was weird to a young kid from the Mid-West.

She was best friends with another strange New York girl and friend of mine who also studied with my composition teacher. We were both McKinley students. This differentiated us from the other student composers at New England Conservatory of Music in Boston. Each teacher’s students reflected a different artistic outlook. We were Dionysian.

These two girls and some other of my friends at the time, had attended Music and Art High School in New York City. They were all crazy and brilliant.

My doll-like girlfriend was a student at MIT. She was studying politics with the twisted Noam Chomsky and often referred to him. This was before I wasted so much time reading his books and being indoctrinated into the Left. My first reactions to subjects like ’Liberation Movements’ was to question the premise. It only took me my entire adult life to get back to reality about politics.

A few months later I was totally in love with another girl from school who was the complete opposite of Wendy (except we were all Bohemians). Laila was a tall, blond, beautiful and wild Latvian singer, totally different than the dark little intellectual. She used to mock and make fun of Noam Chomsky’s writings. It was an inside joke with us to quote him.

Yet I went on to get even more radicalized after that. But that happened after I lost my muse as a composer when I entered Graduate School.

The fling with the little curvaceous one only lasted a short time. I don’t know what eventually happened to Wendy or most of my friends at conservatory at that time, unless they made it. After conservatory, her friend and mine, went on to join a cult. That’s the last thing I heard about my fellow composer and crazy person.

In the field of music, if you never hear about someone, that means they didn’t make it. It’s the free market that decides for the most part. But connections don’t hurt. Political Correctness is essential to receiving grants. Beyond academia there is a vast universe where good work is rewarded, say in film music. But of course you must be PC in Hollywood too. But you can’t just be “interesting” and PC, but skilled at your work.

It didn’t work out at Yale Grad School so I moved to New York. After a year I went back to school at Columbia. As I have written about here, I was by then a big lefty. I also rekindled my relationship with Laila who also lived in the City. It was not like it was with her because the passion before was greater than anything that followed for me.

In New York, Laila was also the singer in my band. Most of my songs were political. Just what the world needed, some Avant-garde left-wing music!

I continued to write left wing songs and rhymes right up to 9/11. They are some of my best stuff but I don’t believe it anymore. They do have some integrity since they were made from the heart. And with music there is always something beyond words.

You probably wanted to hear more about the little chick. But that is just a memory and beyond (polite) words.

video: zawinul christmas

Posted in music, video with tags , on December 2, 2010 by Word-Drum


Zawinul Syndicate at the North Sea Jazz festival (1997)

I think I was there. I played at this festival three times. The last time was with Teddy Edwards (Tom Waits’ sax player). Backstage was Lou Donaldson (who I knew and sat in with many times) and Milt Jackson. Lou introduced me to Milt. Good times.

And it doesn’t get much better than the Master Joe Zawinul. This is a fantastic Austrian/African jazz fusion. Other years I remember an awesome piece by Joe featuring the bassist Victor Bailey and some other LA cats. It was like a New World Concerto. Enjoy.

weak hip-hop in review

Posted in music with tags , , on November 19, 2010 by Word-Drum

John Gibson gets out the rap sheet on today’s rappers. Word-Drum gets out the Big Book of Black Music(The Big Book of American Music).

My prognostications on hip-hop have been proven wrong in the past. I thought it was finished about ten years ago. But it then replaced rock as the best selling genre.

That was the end for me. This pop-hop lost it’s creative edge. Back then Missy Elliot‘s “Get Your Freak On” was a a huge hit and a great record (I loved the World Music – Hip Hop fusion). Or Destiny’s Child was called hip-hop. It’s not rapping but it doesn’t get much better than that gospel based vocal group. They had it all: The voices, the producers, writers, and the essential element: The Big Beat.

The Big Beat is a given thing. It goes back to the roots of man in Africa. But when you pick it up to play like a saxophone, you should know how to play and not simply use it and abuse it. Some have abandoned it in hip-hop to create a new bubble-gum music.

The only tracks by Eminem I sort-of liked (mostly because they were amusing) were his first songs produced by Doctor Dre. Gone the Big Beat for a faster lighter bubble-gum beat. It worked for Slim Shady but groups like the Black Eyed Peas just sound like crappy pop music. On the other hand, posers like 50 Cent use the Big Beat and add nothing to it. He has nothing: no voice, no skills, and mediocre producers.

I know out there somewhere there is still some great hip-hop being made. But when I hear what’s popular, it discourages seeking it out. There have been some very high standards set for Black Music, and Popular Music in general. Now the bar is set pretty low and it’s surprising since my expectations are high for the people who created jazz, rhythm and blues, soul, etc… the worlds most loved music: Black Music(American Music).

The Big Beat is there like the earth. Many of us need it in at least some of the music we listen to (or make). I don’t think we will ever be through with it, but I’ve lived in Europe where mostly they get along without it. But this is America. It might not of been born here, but it grew up here and is our sampled heartbeat, looped and locked in a pulse that’s as steady as a rock. This rock must still be plastic and shaped with a human hand.

Producers have tried to make something with the paltry rhymes given to them by today’s rappers. Maybe some of them being musicians would be better without all these ignoramuses lucky enough to have careers in music(yet they’re not musicians).

The Big Beat should not be the sole province of all this weak hip-hop. Or perhaps I was right: It ended about ten years ago as an art form. Now it’s part of the liberal assault on Western Culture. It’s the soundtrack to the decline of the West.

audio: jimi for nancy and harry

Posted in audio, democrats, music, politics with tags , , on October 11, 2010 by Word-Drum

MANIC DEPRESSION         
         

audio: bird on michelle

Posted in audio, jazz music, music, obama era with tags on October 3, 2010 by Word-Drum

new productions for word-drum records

Posted in music, word-drum with tags on August 25, 2010 by Word-Drum

The Talent

                           1. “I’m A Crazy Bitch” – Nancy Pelosi

2. “Breath To America” – The Fire-Breathing Sharia Sisters

                3. “Show Me Your Golf Scores, Mr. President” –
                               The Jerome Corsi Singers

4. “Pull My Daisy” (live version) – Daisy Kahn and The Con Job

               5. “Jews Can’t Jump (Me)” – Jeremiah Wright

6. “Al’s Wacky Weekend With Osama” – UBL ReMix Company

                             7. “Endorse This” – Tiger Woods

one nation under god? the unanswered question

Posted in audio, music, religion, word-drum with tags , , on July 3, 2010 by Word-Drum

                                      Where are we now?


The Unanswered Question by Charles Ives

The New York Philharmonic conducted by Leonard Bernstein.

Charles Ives, like Frank Zappa and Ray Charles, is quintessential Americana. This is his best known piece in a great performance conducted by another classic American musician who I once met when I was a student composer at Tanglewood. Bernstein gave Ives many of his first performances.

“ The general principles upon which the Fathers achieved independence were the general principals of Christianity… I will avow that I believed and now believe that those general principles of Christianity are as eternal and immutable as the existence and attributes of God.”
• “[July 4th] ought to be commemorated as the day of deliverance by solemn acts of devotion to God Almighty.”

–John Adams in a letter written to Abigail on the day the Declaration was approved by Congress

gig for god

Posted in jazz music, music, word-drum with tags , , , , , , , , , on June 25, 2010 by Word-Drum

One never knows where a gig might lead. Last week I had a gig playing for God.

I had to ask The Creator why He made the Universe?

“Well” He said, “for the visuals and for human music.”

“Really!?” I said.

He continued:

“Some say I’m the Supreme Artist. But if that were true, the Universe wouldn’t work.”

“But I do enjoy listening to the music from Earth while I watch the all the goings-on among my creation.”

“I’m more of an Inventor and Scientist, although I‘m retired now.”

He told me that one day in 1960 He heard John Coltrane playing.

And it wasn’t coming from His stereo!

The music had reached the Heavens. God reached out to Trane just as He had to Bach. Trane infused his Quartet with this glory from God.

But it wasn’t a power trip. The Big Guy really dug the music. He was kind of a Beatnik back then.

He didn’t create African Music. But God knew it’s power and wanted to spread and broaden it. I’m not saying He supported Slavery. He certainly didn’t create that either. He foresaw Jazz Music, which could only be created in America.

He loved all kinds of music, but His favorite was American. He was a musician Himself. He told me He has a room with a thousand guitars. When He played a power-chord it really sounded like it was from God!

After Coltrane, for only a blink in time, the music from a Stratocaster reached into the stratosphere and made Him listen…

Like many older jazz fans, He missed the Great Ones. “I even miss Miles” He told me. “He was a sinner but his bands and his concept were always Top-Shelf.”

****************************

To tell you the truth, I was really nervous talking to Him. It was like going to a Shrink, the Pricipal’s Office and a Police Interrogation Room all wrapped into one.

He knew I was apprehensive and just told me to “Watch it.”

video: frank – “inca roads”(1975)

Posted in audio, music, video with tags , on June 24, 2010 by Word-Drum

Line-up
Frank Zappa (guitars, vocals), George Duke (keyboards, synthesizers, vocals), Napoleon Murphy Brock (flute, tenor sax, vocals), Chester Thompson (drums), Tom Fowler (bass), Ruth Underwood (percussion), James ‘Bird Legs’ Youman (bass), Johnny Guitar Watson (flambe vocals), Bloodshot Rollin’ Red (harmonica)

I live here

pound for a brown: zappa audio

Posted in music, news and politics with tags , on January 19, 2010 by Word-Drum

Live in Germany 1978

                                                                                                                  Mass Defection

communist bass players

Posted in democrats, economy, music, news and politics, obama era, word-drum with tags , on November 30, 2009 by Word-Drum


Sweetness & Light:

CPUSA Honors SEIU, AFSCME ‘Leaders’

Continue

I see my old friend Jeff Fuller is performing at this event. I used to work with him when I was a grad student at Yale. He’s a fine bass-player who I believe is still working with the great Lou Donaldson.

He was a Communist back then and I see he still believes in that shit. He used to tell me about trips to Cuba. There he met many fine musicians and bands, and even waved to Fidel during a Cultural Celebration that lasted for three days.

He was a very nice guy. I can’t account for anything else and not insult him.

After that year at Yale, I moved to New York City. I lived in this strange apartment in Mid-Town where we could play music and have sessions. There was a bass-player who I remember as a rather dark guy, who used to make some of these sessions. He was a good player but I guess music didn’t work out for him and now he’s working for Joe Biden as Chief Economic Advisor. Jared Bernstein is now improvising with the world economy and the lives of billions of people.

Is he a commie too?

No, just another Progressive.

At this point, it all blurs together.

bud powell: cherokee (shout out to tea party patriots)

Posted in audio, music with tags , , , on November 23, 2009 by Word-Drum


Bud Powell, piano Ray Brown, bass Max Roach, drums recorded in New York, 1949

video: bird ‘n diz “hot house” (for algore)

Posted in audio, enviro-marxists, music, video with tags , , , on October 19, 2009 by Word-Drum

Diz blows carbon laced BeBop… Algore just blows.

gorered

video: 200 motels

Posted in audio, music, video with tags , , on October 15, 2009 by Word-Drum

thumbnailCAOMK2OKThis is a weird way to mark my birthday. In the history of Modern Music, Frank Zappa will go down as a Great American Composer. Embodying Experimentalism from the 1960s and surpassing it. 200 Motels was a culmination of the early work (my favorite period) of Zappa and The Mothers Of Invention. The conductor Zuben Mehta made Frank take his name off the credits. That’s his loss.

video: ornette – drums of war

Posted in music, video with tags , on September 27, 2009 by Word-Drum

Ornette Coleman, Billy Higgins and Charlie Haden tear it up. Don Cherry at this late date(1987), was not quite up to it like he used to be with this band, but Ornette picks up the slack.

I don’t know the title of the piece, but it sounds like the drums of war. Can you hear them?

how long has this been going on?

Posted in audio, music with tags , , on July 21, 2009 by Word-Drum

jazz_pianonot blogging much this summer. making a record (or a good demo I can use to make a CD for Blue Note Records, or Enja Records, who I have recorded for before). If you listened to what I posted two weeks ago, you have to go back. I’m redoing everything and have a new song I want you to hear.

“How Long Has This Been Going On?”- HERE

And the new arrangement of “Small Hotel.”

demotape: this guy’s good

Posted in audio, music, word-drum with tags , , , on July 7, 2009 by Word-Drum

redmtn

                                     Mile High Standards

(“Small Hotel” has a new version and arrangement)

Go HERE and download these songs (for free). Hear some swinging jazz, a funky version of “I’m Always Chasing Rainbows,” and a fresh Latin-Jazz-Rock arrangement of Billie Strayhorn’s “Raincheck.” [songs first posted have been revised]

For the Avant Garde, check out the last song(not part of the CD), a “Free-Hop” improvisation called “government.” I jam with Ronald Reagan on that one.

Mile High Standards (free to download Here)

– “Small Hotel”
– “Raincheck”
– “How Long Has Thias been Going On”
-“Fine and Dandy”
– “I’m Always Chasing Rainbows”
– “Way Down Yonder In New Orleans”
– “When Your Lover Has Gone”
– “Two Sleepy People”
– “government”

All music arranged, performed (vocals, piano, guitar, samples, loops) and recorded by Word-Drum.

                  AAMJ001016
                                        Normally I hate jazz

video: jimi hendrix

Posted in music, video with tags on May 20, 2009 by Word-Drum

video: ahmad jamal trio

Posted in audio, music, video with tags , , , on May 20, 2009 by Word-Drum


Here is another classic: The Ahmad Jamal Trio – “Poinciana”
with Israel Crosby – bass, and Vernell Fournier – drums (recorded in the late 50s)

video: bebop compulsion

Posted in audio, music, video with tags , , on May 10, 2009 by Word-Drum


“Compulsion” – Davis – New York, 30.1.1953 –
Miles Davis Sextet:
Miles Davis: Trumpet
Charlie Parker, Sonny Rollins: Tenor sax
Walter Bishop: Piano
Percy Heath: Bass
“Philly” Joe Jones: Drums

Bird on tenor! A young Philly Joe! Bird and Rollins sound much alike. Big surprise. Charlie Parker takes the first tenor solo, Rollins is next, in this rare recording.

video: like sonny

Posted in music, video with tags , , on May 6, 2009 by Word-Drum

Now it’s the guitar, in the first part of the 20th century, it was the tenor saxophone. The instrument that is the sound of the time. Sonny and Trane were the two greatest tenor players of their time. Rollins, the culmination of jazz history from Coleman Hawkins to Charlie Parker; and Coltrane, the transcendent explorer and new voice for his generation, and the future of music.

“Like Sonny: The Story of Sonny Rollins and John Coltrane”

by Bret Primack

video: frank zappa

Posted in music, video with tags , , , on May 6, 2009 by Word-Drum

Here is a live version of the early Mothers. You might notice that Zappa proceeded the whole “Downtown” music scene and surpassed them long before they finished school. John Zorn eat your heart out. We hear the theme from “Pound For A Brown” which is orchestrated in the following video.

Near the end of his life, Zappa had his own orchestra in Paris. The Ensemble Modern (conduted by Peter Rundel) was something the young composer had to do without. The version of this composition on Uncle Meat has a certain charm. He might of originally done it orchestrally if he could. I prefere the early studio version, and the early Mothers of Invention of the late 60s.

Stravinsky is all over this piece. Frank’s orchestral music from that period sounds much more influenced by Edgar Varese. But Stravinsky was part of Zappa’s music. His melodies as much as the changing meters and pulsations reminicient of Igor Stravinsky. He took all the influences, including the experimental conceptual period he was part of in the 60s, and created his own style and musical legacy. He is one of America’s greatest composers, having redefined what that means.

The following two videos feature Zappa’s guitar playing. “Willie The Pimp,” with Capatain Beefheart, is a classic. “Black Napkins” is new to me. It shows the influence of The Mahavishnu Orchestra and John McLaughlin.

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video: art tatum

Posted in audio, music, video on May 6, 2009 by Word-Drum

video: john lee hooker

Posted in music, video with tags , on May 6, 2009 by Word-Drum

evironmental reminisence

Posted in enviro-marxists, music with tags , , , , on April 2, 2009 by Word-Drum

The modern environmental movement began in 1970. That was a big year for me. I not only started recycling, it was the year the world of music opened up for a kid from the suburbs. This world was revealed to me by Frank Zappa. thumbnailcarhrhr31

I was a Rocker turned Zappa Freak.  Zappa led me to Modern Music, and wanting to be a composer. I came to love Stravinsky, Varese and other favorites of Frank; while at the same time, through the radio, I discovered jazz. I embraced the music of Coltrane, Rollins, Monk, Miles, Ornette, Cecil Taylor, The Art Ensemble of Chicago, and many others.

thumbnailcawf1t8m1You could say I was an environmentalist by recycling and turning off lights(my father loved that), but today the meaning has changed, something that happens with so many words used by the Left. Lost of all meaning are significant words like “peace”, “justice”, “fairness”, etc.

Since 1970 the air and water are cleaner, even with growing population. Starting in the 70s there were environmental activists who cordially sat down with corporations to retool and make changes which were beneficial to the environment. They did not demand closure of all energy producing operations like the Enviro-Marxists and the people who call themselves environmentalist today, who want us to live like the poor of the Third World, or a Soveit clinging to prescious squares of toilet paper.

thumbnailcalxdo251A Green Monster can’t blend in with the tribe. Let us remember and give thanks to the OG Greens. They were effective and beneficial to all people (except millions of Africans who died because they banned DDT) and the environment.(Yes, I also know they were always a bunch of Socialists. I’m trying to be positive.) This common sense approach should either be adopted by the Green Movement, or the Greens should be recycled. We can make something useful from them rather than be dragged back to being dirty, diseased, cold and hungry. Save the humans, eat the Greens.

new books on music for the obama era

Posted in music, obama era, Uncategorized with tags , , , , on March 3, 2009 by Word-Drum

(reposted from The Word-Drum)

200182298122593345775e84a68158a0db58

     thumbnailcat0lbyt       thumbnailcaac1ors

1. “Changes You Can Believe In” (Fakebook)

2. “Organizing the Blues” (Chicago Blues, Rules for Howlin’ Wolf Radicals)

3. “Drums From My Father” (Making drums from skeletal remains)

4. “8 Years of Failed Poly-Rhythms” (Half African drummers don’t make it in the Bush)

5. “Michelle Obama’s Songs of Pride and Country” (Simple songs for beginners. You will be proud of yourself for the first time by mastering these songs)

6. “Unknown Farrakhan” (Calypso songs with Arabic translations)

7. “Midnight in Moscow” (Poetic portrait of the nighttime visits between the young Barry Soetero and Frank Marshall Davis(CPUSA). WARNING: Explicit Material)

8. “Changing Meters, Changing Leaders” (Structural analysis of Obama
speeches. Phrase structure comparisons with Malcolm X, MLK and Hitler.)

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this is... The Neighborhood

the Story within the Story

PUMABydesign001's Blog

“I hope we once again have reminded people that man is not free unless government is limited. There’s a clear cause and effect here that is as neat and predictable as a law of physics: as government expands, liberty contracts.” Ronald Reagan.

Citizen Tom

Welcome to Conservative commentary and Christian prayers from Gainesville, Virginia. That's OUTSIDE the Beltway.

BUNKERVILLE | God, Guns and Guts Comrades!

God, Guns and Guts Comrades!

Kindness

KINDNESS IS FREE, sprinkle it all over the world and 😁 smile